← The vow library

Aisle & After

The Complete Vow Workbook

in your own voice

Vows that sound like the person standing there

You do not need to perform a relationship for the room. Collect the memories first, choose the promises you can live, then make the sentences sound like your mouth.

Work through it in order. The parts that feel like admin — the tone box, the promise check — are the parts that stop you writing something beautiful that you cannot say.

Print one copy each and do not compare until section five. Two people who draft separately end up with two voices, which is the point. Two people who draft together end up with one document read twice.

Written by

For

Ceremony date

Section one

Choose the tone before you choose the words

Circle one. You may borrow a second in small quantities. You may not use all five; that is how a vow becomes a variety show.

My tone

Borrowed, sparingly, from

If your ceremony has required or prohibited wording, find that out now, from your officiant, before you write a line you will have to give up later.
Section two

Twenty memory questions

Answer in objects, sentences and Tuesdays. “She is kind” is true and unusable. Ten of these come from the memory-question worksheet in the Template Drawer; ten are here only.

The first ten

01What did you first notice?

02When did this become serious?

03What small habit would your partner recognize immediately?

04Which difficult season taught you something about the two of you?

05What place holds a private memory?

06What made you laugh during planning?

07Who helped you get here?

08What are you proud of in your partner?

09What promise belongs in daily life, not ceremony language?

10What do you hope an ordinary Tuesday feels like in five years?

The second ten

11When did they show up without being asked?

12What do they do when you are tired?

13Which story belongs only to the two of you?

14What have you repaired together?

15What future detail can you picture?

16What are you grateful they understand?

17What quality do you want to protect?

18What makes home feel like home?

19What do you want to say directly, without a joke?

20What should remain private?

Now mark the page. Underline the three answers with an actual object or moment in them. Circle the one that is only true of this person. Cross out anything that would be true of a good friend. Those three underlines are your middle.

Section three

The vow library, in full

Every line from the library on the site, printed here so you can mark it up. Use these as structure — how an opening turns, how a promise stays specific, where a closing stops. Do not lift a whole line and call it yours; a borrowed sentence is audible from the third row.

Openings

Promises

Closings

Section four

The draft shape

Seven moves. Write one or two sentences into each. Do not write the whole vow and then try to find the shape inside it.

iAddress them.

iiName one true thing.

iiiTell one short memory.

ivSay what it taught you.

vMake three to five specific promises.

viLook forward.

viiEnd in your own register.

Section five

The promise check

Take each promise from move five and run it through all five questions. A promise that fails one of these is not a bad sentence; it is a sentence that belongs somewhere other than a vow.

The promise Can I keep this on an ordinary week? Is it mine to promise? Is it specific enough to mean something? Have I promised perfection? Have I spoken for my partner?

The two that catch the most. “Have I promised perfection?” catches I will never and always. “Have I accidentally spoken for my partner?” catches we will — which is a lovely instinct and still someone else’s vow to make.

Section six

The read-aloud check

A vow is not writing. It is speech, delivered by a nervous person in a quiet room, possibly holding a piece of paper that has started to shake. Read the whole thing out loud, standing up, twice.

Read-aloud time, first pass

Second pass, slower

Length we agreed on

Time it rather than counting words, and agree a rough length with your partner so one of you is not speaking for four minutes after the other spoke for forty seconds. Nerves make everyone read faster than they practised, so the slower pass is the honest number.

Section seven

Final copy

Write it out by hand, in full, in the size you can read while your hands are shaking. This is the page that goes in a pocket.

Final copy — continued

Borrow structure, not someone else’s private sentence. Check ceremony requirements with your officiant. Keep one printed copy and one offline phone copy with someone you trust — the person holding your run sheet is a good choice, because they are already holding everything else.

Printed copy is with

Offline phone copy is with